PRESS

Album Reviews

Things to Come

  • "Things To Come" is a group realization of a very ambitious batch of compositional notions. Abbasi is extremely successful in this pursuit. "
    4 1/2 Stars

    John Corbett, DOWNBEAT
  • "Abbasi now sees his sixth album as a leader hit the streets, and it's exceptional. Not just because of the badass group he assembled -- though it does help -- but because Abbasi's own talent as a composer, arranger and player. "

    Spinner.com
  • "Remarkable rhythmic and melodic facility, sophisticated harmonic conception, distinctive use of odd intervals are all on display in Abbasi's guitar improvisations...Things To Come blends elements of jazz, funk, South Asian and classical music with engaging ingenuity."

    JazzTimes
  • "Things to Come" is the strong new statement from Rez Abbasi, a Pakistani-American guitarist with a taste for fluid introspection and slippery fusions."

    New York Times
  • " Things To Come signals a new chapter in the evolution of a masterful musician and thinker. The music, though challenging, is steeped in emotion and imagination... captivating, fascinating and riveting."

    All About Jazz
  • "The guitarist creates little puzzles for his team to solve, and the lyricism they bring to their collective efforts makes the process both enjoyable and fascinating."

    Jim Macnie, DOWNBEAT
  • "There is not a weak moment in this program. Add up the positive qualities of this CD, the intelligent compositions and arrangements, the sparkling solos, the great interplay and the result is Rez Abbasi's most mature and rewarding recording to date."

    Hartford Courant
  • "If part of jazz's appeal centers on the way tension is both created and crushed, the guitarist's new Things To Come should capture a fair amount of listeners.
    His connection to cohorts Rudresh Mahanthappa and Vijay Iyer is deep, and their interplay generates little swirls of melody that erupt into full-blown storms before
    you even know the wind is blowing. That's partly due to Abbasi's pen—his tunes are mathy (and slightly M-BASEd) without being monotonous.

    Village Voice
  • " The pieces continually create and defer expectations, and often come together in stunning climaxes."

    Jazziz
  • "Abbasi's compositions are highly sophisticated and complex, containing myriad polyrhythmic crosscurrents and dynamic shifts. His guitar playing is magnificent and his superb phrasing and ornamentation elevate him into the empyrean realms of fusion mastery."

    Guitar Player Magazine
  • "Things to Come is a beautiful meld of South Asian and vanguard jazz, and an intense meld of rhythmic and harmonic approaches that are utterly seamless. This is not an album that sums up the past, but brilliantly and soulfully points to new futures." 4 Stars

    All Music Guide
  • "Of all the recent experiments blending music from South Asia with jazz, "Things to Come" may be the most elegant and seamless. This music, superbly conceived and played, makes far-flung diversity feel like the mainstream of its art."

    Popmatters.com
  • "His latest recording, Things To Come, is a truly original work that defies quick and easy categorizing and is a testament to his deep compostional and technical abilities."

    Abstractlogix.com
  • "By adding ideas from the lengthy history of music on the Indian sub-continent, Abbasi is able to develop a unique and fascinating conception for his music. This is exotic and exciting while still being accessible, and it is very fresh and thoughtfully produced."

    Jazzandblues.blogspot.com
  • "This is a fine outing by a stellar band ... an exciting dialogue which varies the mixture in its invigorating juxtapositions." 90/100

    Jazz.com
  • "Abbasi signals in a polytonal and multi-directional muse for progressive-jazz, where hope looms mightily. It's an outing that reaffirms, and then extends his spiraling stature within global jazz factions. His acute perception and vision, coupled with a distinctly broad music vernacular translates into an album that irrefutably yields the bountiful fruit."

    All About Jazz/Glenn Astarita

Bazaar

  • "Stimulating new music. Is this fusion, soul-jazz, Indian music, post-bop or world fusion? The answer has to be: All of them and none of them. Well worth several listens." 4 1/2 Stars

    All Music Guide
  • "Abbasi’s phrasing is chain-motific in the manner of, say, Ornette; he makes unusual connections and resolutions at the termini of his lines, occasionally launching into scorching hyperdrive. He and his genre-busting globe-trotters are doing us all a favor: they’re asking where is the music? And in their attempt to improvise answers for us in a fusion and fission of cultural influences, they challenge us to reconsider our own understandings of “East” and “West”. "

    Thomas H. Greenland , All About Jazz (New York)
  • "The eight originals on Bazaar are stimulating cultural crossover vehicles that hold interest throughout. This is complex and fascinating world fusion music traversing uncharted territory." 3.5 Stars out of 4

    Toronto Star
  • "Bazaar finds the excellent guitarist Rez Abbasi leading a tight combo through a brisk collection of elegantly unfolding Indo-fusion jazz charts. The music is intricate but open-ended and the Indian flavors are refreshingly subtle throughout. There's plently to chew on here, even after several listens. "

    Global Rhythm Magazine
  • "Abbasi's jazz guitar playing puts him in the upper echelon of modern-day players. Bazaar is full of surprises and constant sound/color shifts that keep you interested even after many listens. The compositions are engaging and catchy and demonstrate once again that Abbasi has a unique perspective on music. "

    Jazz Improv Magazine
  • "Abbasi is penning killer compositions such as "You People," which is as musically rich as it is pensively cool. Bazaar is a heartfelt, provocative, and rewarding platter that just might rehab the once-edgy, now-besmirched image of fusion. Abbasi's the prime example of what it takes to have a genuinely global sound. "

    New Times Palm Beach
  • * * * * 4 Stars

    Jazzman Magazine (France)
  • "Bazaar is a great record-the writing and playing and most of all the concept."

    David Liebman
  • "Abbasi provides plenty of musical intrique to amaze even the most seasoned guitar fan."

    20th Century Guitar

Snake Charmer

  • "Abbasi's adroit soloing and lean, evolving tunes are generated by exceptional reach and a very musical passion."

    The New York Press
  • "Abbasi shows a high level of ability in merging the improvisational aspects of both jazz and Indian improvisational forms. Highly recommended!"

    Louisville Music News
  • "Snake Charmer is quite simply, a breakthrough record, both for Abbasi and for the fusing of jazz and ethnic concerns, with all its elements on clear display yet perfectly assimilated."

    All About Jazz
  • "Snake Charmer is one of the best albums of 2005. It certainly makes my list of the years top ten."

    Jacques Emond (Director Ottawa JazzFestival)
  • "A fascinating mix of jazz - style improvising and eastern tonalities and rhythms." Snake Charmer

    Stuart Broomer Editor-in-chief CODA
  • "I have not uttered the word “WOW” during a new CD track for quite a while but I did during Snake Charmer. Go and get it !!!!"

    Mark Robinson, George Fm 96.8; New Zealand
  • "Abbasi continues some of the ground-breaking work of plectrists such as Amancio D'Silva and John McLaughlin on this important work." Snake Charmer

    Ejazznews
  • "Impressively articulated, rhythmically captivating and lyrical ...the mesmerizing sounds of this latest creative musical matrix is surely Abbasi's genuine identity."

    Jazz Improv Magazine
  • "One of the most adventurous and skillful guitarist from New York City. With Snake Charmer, Rez has exploded with original music which puts him in the same category as John Scofield and Bill Frisell."

    Abstractlogix.com
  • "One of the New York jazz scene's best-kept secrets..If you are a fan of Shakti, Trilok Gurtu and other world-jazz fusion masters, you will probably be knocked out by this record! "

    Guitar Player Magazine
  • "Adventurous writing and hyper-advanced phrasing...Abbasi's group has a spontaneous, spacious feel and raw attack."

  • "Invigorating and graceful playing, unpredictable and fascinating compositions... Abbasi is a rarity. "

  • "In some regards, the guitarist and his band offer a post-millenium update on the Mahavishnu Orchestra"

  • "One of the best examples yet of how to merge Indian music with jazz...Snake Charmer really breaks new ground."

  • "Miraculously, Abbasi gets it exactly right. Out of all the different elements arises a singular and distinctive statement with a wide expressive range on its own determined parameters carried by an abundant technique. Consequently the music convinces and enchants on every level." Snake Charmer

Out of Body

  • "Out Of Body is one of the most refreshing small group recordings in recent memory."

    Planet Jazz
  • "An intricate, unpredictable, and cleanly recorded statement by one of New York's most virtuosic guitarists." 4 1/2 Stars

    All Music Guide
  • "Wildly imaginative, Out of Body is a must for your collection, guitar fan or no."

    Toronto Star
  • "This one's got something for everyone - guitar players, fans of erudite small group writing and arranging or maybe someone who just wants "in" on one of the top releases thus far this year"

    All About Jazz
  • "This is smart and unique music. Rez Abbasi infuses his playing and writing with elements from the east while never losing sight of jazz essentials. Anyone interested in the possibilities of the guitar in jazz should take a listen to what he has to say. "

    Jazz Review.com
  • "Out Of Body is an extremely impressive work, tremendous imagination and impressive technique."

    Jazz Improv Magazine
  • "Out Of Body should reaffirm Abbasi's increasing stature within the modern jazz community, 4 Stars."

    Downbeat
  • "Intriguing grooves, gorgeous melodies."

    Jazz Times
  • "Abbasi is a fluent and inventive improviser who plays exciting solos."

    Jazzwise

Modern Memory

  • " Clever songwriting, total command of his guitar and strong support from a revved up ensemble make for an enjoyable and thoroughly intriguing listening experience." 4 1/2 stars

    All About Jazz
  • "Modern Memory is Fascinating."

    The Toronto Star
  • "Modern Memory is brilliantly executed and highly recommended. Abbasi is on the forefront of modern jazz."

    Fuse On Line

Third Ear

  • "Third Ear is a noteworthy effort from this jazz gunslinger who possesses an insatiable thirst for captivating the listener with his deeply personalized sound, gargantuan technique and intelligent compositions."

    All About Jazz
  • 'Third Ear has to be one of the most intelligently conceived debuts ever done. It’s a magical disc."

    John Stevenson, Ejazznews
  • "This is unpredictable and uncategorizable Jazz that should satisfy fans of both "Traditional" and "Contemporary" Jazz."

    L.A. Jazz Scene

What People Say ...

  • "An amazing guitarist...unique and beautiful music - and best of all - very original...I'm really impressed."

    - Pat Metheny
  • "Graceful, fluid and riviting.. Rez Abbasi is singularly well placed to rivive the East-meets-West conversation that has intrigued so many improvising musicians."

    - Coda Magazine
  • "Abbasi's unpredictable phrasing and accomplished writing are what sets him apart from hordes of other technically adept plectorist."

    - Bill Milkowski (Jazztimes, Jazziz, JACO)
  • "Rez is an extremely talented guitarist and composer...unique and surprising."

    - Peter Erskine
  • “Abbasi creates a sinuous, sometimes haunting and always evocative blend of contemporary jazz and Asian influences.”

    - Time Out (NY)
  • "Though his chops are indeed impressive, listeners will even more likely be taken with the intricacy and intrigue of his compositions. "

    - Hot House (NY)
  • "Eye popping, dazzling virtuosity with considerable writting chops."

    - Signal to Noise
  • "As jazz increasingly admits sounds from around the globe, Abbasi's efforts rank among the freshest and most compelling. Compositions that stand alone in today's jazz. "

    - The Ottawa Citizen
  • "The guitarist has proven himself a composer of skewed and stimulating pieces but don't fret, his ample chops stand out. "

    - The Village Voice
  • "His is a graceful approach that, more often than not, comes off without hitch."

    - Global Rhythm
  • "Rez Abbasi shows an uncanny flair with no catagorical party line. A fresh voice worth hearing."

    - JazzTimes
  • "A highly talented guitarist and composer deserving major attention."

    - Guitar Player Magazine